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Mitch Miller – The River Kwai March – Colonel Bogey March

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RIP Mitch Miller! He died 99 years old! Mitchell William Miller (July 4, 1911 — July 31, 2010)was an American musician, singer, conductor, record producer, A&R man and record company executive. He was one of the most influential figures in American popular music during the 1950s and early 1960s. In the early ’50s Miller recorded with Columbia’s house band as “Mitchell Miller and His Orchestra”. He also recorded a string of successful albums and singles, featuring a male chorale and his own distinctive arrangements, under the name “Mitch Miller and the Gang” starting in 1950. The ensemble’s hits included “Tzena, Tzena, Tzena”, “The Yellow Rose of Texas”, and the two marches from The Bridge on the River Kwai: “The River Kwai March and Colonel Bogey March”. The Bridge on the River Kwai is a British 1957 World War II film by David Lean; based on the novel The Bridge over the River Kwai by French writer Pierre Boulle. The film is a work of fiction but borrows the construction of the Burma Railway in 1942-43 for its historical setting. It stars Alec Guinness, Sessue Hayakawa, Jack Hawkins and William Holden. In 1997, this film was deemed “culturally, historically, or aesthetically significant” and selected for preservation in the United States Library of Congress National Film Registry. Two prisoners of war are burying a corpse in the graveyard of a Japanese World War II prison camp in southern Burma. One, American Navy Commander Shears (William Holden), routinely bribes

“Our Life Is Not A Movie Or Maybe” by Okkervil River

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“Our Life is Not a Movie or Maybe,” the first video for Austin, Texas-based Okkervil River’s The Stage Names, was directed by Margaret Brown, whose acclaimed documentary about Townes Van Zandt, Be Here to Love Me, was released theatrically in 2005 by Palm Pictures. Director Jonathan Demme hailed Be Here to Love Me as “a thrilling piece of pure cinema,” adding that Brown “has moved the whole ‘possibilities of film’ thing a big leap forward, especially as regards the blending of film and music, image, sound and thought. “The New York Times’ Stephen Holden called Be Here to Love Me “Impressive! A tender, impressionistic film biography,” while Anthony Lane of the New Yorker elaborated that Brown conceived her movie, she says, to be “vinyl, not CD,” and the ride of it does indeed deliver a rough-edged truth.”

The Grand Poker Movie Trailer by Pokerice

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